NLS’ Admit One Theatre Festival

Ranjitha’s family, Pipe, and Sayuja - ThumbnailI returned from Bangalore today after participating in Admit One at the Alliance française there. Our theatre group put up Picasso at the Lapin Agile, a rather funny comedy about Picasso and Einstein meeting in a bar in Paris a couple of years before each of them pulled off their respective masterpieces. It was rather fun doing the whole thing, though all of the times we practised it sucked. I mean, seriously, it was horrible when we were trying to do the whole thing back in MCC, just didn’t work. Then there was the other troubles with the girls’ hostel and their ridiculous objections to everything.

Anyway, in the end Ranjitha won Best Director and Rinila – Best Actress, yay! That’s pretty damn good, considering the rest of the outstation teams that performed. Strangely enough, we were one of only two one-act plays ; that was strange because the time allotted was only 45 minutes. The other one was a superb play by Kirodimal, super-real acting, superb original script, worth paying Rs. 200 to watch. It was about an Iraqi professor arrested for inciting students to riot, and being interrogated by a policeman at the station. It was very well done, every single action was perfect for the character, the lighting was perfect, the whole thing was just gripping.

Another play that was rather interesting was the LSR‘s adaptation of Woody Allen’s Death; they won the Best Play award finally, but I’m surprised none of the actors got an award because they were plain amazing and their accents were perfect! The script, naturally, was just hilarious.

I missed the Sri Lankan performance, I think, but I didn’t miss UET Lahore who put on a lovely show which was a nicely choreographed mime. Before the show they asked people to not only turn their phones on silent but also to not fiddle with them, and then they switched off all the lights half way through. Until that time, the two mime artists on stage, one with an orange painted face and the other with a green painted face, were running around trying to go one up on each other with some cleverly done mimes. After they decided to start fighting, the lights went off and after a minute or so of total darkness, the blacklight came on and the only things we could see clearly were the fluorescent paint on the artists’ faces and their fluorescent costumes. This is when things started to get fancy because in the blacklight the stage hands couldn’t be seen, so the whole thing started to look like some crazy martial arts movie with the two artists flying across the stage (literally!) and performing fancy triple kicks in the air, dodging fiery red bullets and fighting with burning swords. And there was teleportation and shit, man, it was so freaking crazy. It was pretty damn amazing. I mean, I’ve seen this trick being used before with stage hands dressed in the same colour as the background lifting and supporting the main actors, but not like this; I mean, you didn’t even need to suspend disbelief, the jumping and kicking looked perfect and we weren’t even sitting in the right position for it.

Afterwards, because we’d been too lazy to book our tickets for a bus or train, we stayed the night and half the next day at Ranjitha’s place, making a mess of the place in the process. Her mom must think I’m retarded or something :D

Lots of fun. Yeah. Unfortunately, I forgot about my camera until the last day.

Footnotes:
[1] Hindu article talking about Admit One

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